Try
& Buy From
Music Conducted By
Jerry Goldsmith
Orchestrations By
Arthur Morton
Nancy Beach
Recorded By
Alan Snelling
Performed By
Orchestra di Santa
Cecilia
di Roma
Album Produced By
Jerry Goldsmith
Label
Varese Sarabande
VSD-5226
Previous Release(s)
-
Year Of CD/Film Release
1989/1989
Running Time
39:46
Availability
Normal Release
Cues
&
Timings
1. Underwater Camp (3:23)
2. Decompression (3:16)
3. Discovery (5:24)
4. One of Us (1:41)
5. Body Within (4:33)
6. Escape Bubbles (5:37)
7. Can We Fix It (3:25)
8. Situation Under Control (1:49)
9. It's Growing (3:10)
10. Too Hot (3:27)
11. A Lot Better (3:31)
Soundtrack
Ratings
Disappointing
Functional
Average
Good
Excellent
Outstanding
|
Leviathan
Leviathan was a turning point in Goldsmith's
career, or rather the film that broke his camel's back! After
Leviathan and its pathetic showing at the cinema, Goldsmith
decided to seek out more rewarding projects and musical opportunities.
The 90's provided that change and a move to better movies. But
ignoring Leviathan the movie, the score is another amazingly
good one.
Goldsmith provided his score with a number of very strong cues.
The main title, or Under Water Camp, is the camera's decent
to the murky depths and a futuristic under water lab. Goldsmith's
cue actually seems to ascend, and as we get nearer to the bottom
explodes in a triumphant but elegant trumpet fanfare. It remains
an impressive example of how good a theme writer Goldsmith is
and this theme provides the basis for a rather delicate love
theme later on and inspiration for some action later too. Talking
of action, Leviathan the album provides a solid sprinkling
of orchestral workouts. Cues such as Decompression provide
a tension filled walk for a crewman almost out of air, and Too
Hot, The Body Within and Can We Fix It introduce
wild thrashing synth effects backed up by big orchestral brass
as the creature lets loose. Escape Bubbles returns to
the elegant statement of the main theme and builds steadily as
the survivors escape to the surface, then Goldsmith introduces
an action packed statement for large orchestra as the creature
makes one final appearance. The cue ends in an over the top manner
as the leading man and leading lady make it home safe. In the
movie, due to some of the worst editing, this cue finishes far
too big. Here it's a great piece of film scoring preserved on
CD.
The score signs out with a nod to Alien in the form of
the suspenseful It's Growing before ending the score in
style with A Lot Better, a crowd pleasing rendition of
his main theme, with love theme sandwiched in between. This end
title is as close Goldsmith ever came to re-creating the thrill
of the end credit to The Swarm. Fantastic!
Leviathan may not be a classic movie, and the score may
not be one on the composer's top ten, but it's a wonderfully
satisfying play and far too good for the film it was written
for. Sound familiar? |
|
|