Star
Trek Insurrection
Album Review
The score for Star Trek
Insurrection opens with Ba'ku Village, after a lethargic
reading of Alexander Courage's famous fanfare, the music then
breaks into an intimate theme for harp and later piano, carried
by woodwinds and strings to convey the idyllic village life and
the peaceful Ba'Ku. It remains an unusual start for a Star
Trek movie and seems rather at odds with the sci-fi adventure
franchise, but remains one of the composer's prettiest themes.
The cue changes complete direction in the latter minutes as an
unsettling motif for muted brass and piano reveal the Ba'Ku are
being spied on by Star Fleet, behind an invisible shield. As
the shield is disrupted by Data and the scheme revealed Goldsmith
enters with electronics then explodes with an aggressive orchestral
action piece, stylistically reminiscent of his work on U.S.
Marshals. The track concludes with a short rendition of the
theme to Star Trek The Motion Picture introducing the
Enterprise.
In Custody, a short piece that deals with the capture
of the malfunctioning Data, features dizzy strings and powerfully
layered brass for Picard and Worf's shuttle chase. The score
then focuses on the Ba'Ku people and the influence they begin
to have on the Enterprise crew, namely Picard who falls for the
charms of Anij (Donna Murphy). Children's Story and New
Sight, introduce a softer tone, with elegiac strings supporting
woodwinds as the planet's ability to make one feel younger begins
to take hold. This theme easily stands as one of Goldsmith's
finest love themes adding immense depth to these intimate moments.
Not Functioning, The Drones Attack, and The
Riker Manoeuvre are a welcome change of pace for the listener
with some Goldsmith action writing grounded in the Rambo
series style. Goldsmith introduces his thunderous new action
motif with Not Functioning and builds on this to a more
elaborate setup in The Drones Attack as the composer mounts
an exhilarating rhythmic set piece, menacingly lead by horns,
while cascading electronic samples join Goldsmith's driving piano
motif, replete with a welcome reprise of Goldsmith's Klingon
theme.
The CD closes with The Same Race, No Threat, and
The Healing Process, which showcase a blend of action
with more emphasis placed on suspense, and in contrast moments
of melancholy. Gone is the piano, but the horn motif is resurrected
at the mid way point of The Healing Process, resulting
in a build up to a powerful climax for the destruction of the
Array and the rescue of Picard. The cue closes with a reprise
of the gentile Ba'Ku theme before a clever synth motif
leads us into the End Credits. This is of course the established
arrangement of a new theme, namely the Ba'Ku piece, book
ended by the legendary Star Trek The Motion Picture theme.
Notably Insurrection was the first time Goldsmith recorded
his arrangement and included the f to fff alterations during
the third bar of the main theme. This technique would go on to
be used by the composer in his subsequent concert performances,
but would be more emphasised and remained terribly infuriating
to his fans when they heard it.
Overall a solid score for the franchise made up of some contrasting
styles, unusual for a Star Trek score, and notably with
a good application of electronic colouring not heard since Total
Recall. It's also well presented by the Crescendo label with
a colourful booklet, notes and a dynamic 24 bit digital recording. |